PIER QUEEN by Emanuel Xavier

Photo Credit: Richard Renaldi

Pier Queen, by Emanuel Xavier featuring photographs by Richard Renaldi is now available for the first time ever by Queer Mojo, an imprint of Rebel Satori Press.

Queer Mojo



Page Count: 80

Trim Size: 5 x 8


Emanuel Xavier

Self-published as a chapbook in 1997, Pier Queen launched the career of spoken word artist and poet Emanuel Xavier with classics such as “Tradiciones” and “Nueva York” both featured on Russell Simmons presents Def Poetry– and other poems which captured the voice of a generation of queer people of color. For the first time ever, this ground-breaking collection becomes available featuring snapshots taken at the West Side Highway piers throughout the years by photographer Richard Renaldi. This collaboration is a gift to the LGBTQ community and for those who may be interested in how pier queens became poets and great artists against all odds to inspire others to rise above adversity.

“Race, class and sexuality has become somewhat of a scholarly catch-phrase since American literature can now boast an extensive body of work that explores this nexus. But it’s important to note that Emanuel Xavier’s Pier Queen was a trailblazing early example for the newest generation of queer Latino writers. If ever art was a gesture of courage and activism, then there is no clearer evidence-this self-published collection of poetry that launched a career” -author Rigoberto Gonzalez, from the foreword to Pier Queen

“In the classic poetry collection Pier Queen, Emanuel Xavier’s words shimmer and spark with all the audacious energy of streetwise queer Latino culture. It goes right to the heart of the matter of his world and shines a bright spotlight revealing beauty, scars and the bared souls of its inhabitants.” -author Charles Rice-Gonzalez

“Once in a generation, a new voice emerges that makes us see the world in a dazzling new light. Emanuel Xavier is that kind of writer exciting, vibrant, unique, a visionary bard.” -author Jaime Manrique
“… a wrinkled yet sentimental world perilously eroding like the piers themselves where Emanuel created himself … loud and daring … extreme and exuberant” -Keith Roach

Emanuel Xavier took the New York City spoken word scene by storm in 1996, quickly becoming one of the most significant voices to emerge from the neo-Nuyorican poetry movement. Following in the tradition of writers/performers like Miguel Pinero, Xavier captivated audiences with a fresh and poignant brand of art that celebrated sexuality, Latino heritage, and the often brutal streets of New York.