Chicago Underground Film Festival presented by Full Spectrum Features

October 23, 2021
Karen Durham

CHICAGO—In a collaborative re-envisioning of the 28th Annual Chicago Underground Film Festival (CUFF)—the world’s longest-running underground film festival—Full Spectrum Features (FSF) is the official presenter of CUFF this year to program more diversity, equity, and inclusion to represent a wider range of artists and voices, including women, BIPOC, and LGBTQ+ filmmakers. The festival will showcase six feature-length films and six shorts programs, presented from Friday, November 5 through Sunday, November 7, 2021, at the Logan Theatre as well as online.

Bryan Wendorf, Festival Artistic Director and Head Programmer said: “It feels so good to be able to hold the festival in the real world again. The challenges that everyone has faced in the past year have helped us rediscover the importance of community and connecting with others in person. CUFF has always stood for that idea. Connecting films and film-makers with each other and with an appreciative audience. And with the developing partnership between us and Full Spectrum Features coming to fruition, this idea of community is foremost in our minds. We hope this year’s festival is as inclusive and as welcoming as it can be, and we’re excited to present the 28th edition of CUFF with an organization that values dissolving barriers that prevent filmmakers from breaking into the film industry.”

Opening Night Film! Co-directed by Chicago-based filmmakers Andrew Mausert-Mooney and Kera Mackenzie (STONES FOR THUNDER + co-founders of ACRE TV), the revealing MAKE A DISTINCTION (Friday, November 5, 7 pm; United States) takes its name from how species are identified in science. Featuring stylized scenes of field botanists, retail clerks, and soldiers in Clarksville, TN, and the television production community filming a cop show in Chicago, the viewer is confronted to “name the enemy or become it” as it is apparent that the police are ultimately protectors of capitalism. MAKE A DISTINCTION is an encore presentation in the context of CUFF after having its world premiere at The Onion City Film Festival in June 2021. Preceding the feature will be these shorts: Africanus Okokon/.SRT (experimental genre/United States) and Rajee Samarasinghe/SHOW ME OTHER PLACES (collage film, documentary, experimental, science fiction genres/China + Sri Lanka + United States).

SHORTS 1: A GLIMPSE THROUGH IS WALKING IN (Friday, November 5, 9 pm) features films in the animation, docu-mentary, experimental, and music video genres by Chris Blue/COUSINS, Jeremy Bolen + Nina Barnett/AND SO WE MAY FEEL ECHOS, Laura Englehardt/AUFTRITT UND ABGANG VON MASCHA B. (ENTRANCE AND EXIT OF MASCHA B.), Laura Kraning/FRACTURE, Marcus Maicher/INTO THE WILD, Rachel Mayeri/ORPHEUS IN THE ALIMENTARY CANAL, Jeremy Moss/LÁCRIMAS, Jessie Mott + Steve Reinke/CONTAMINATE ME, Nick Rohr/SELKIE, Steve Wood/ELECTRIC EYE, Jason Younkman/WILDERNESS DAYS, and Brian Zahm/STINGER. Productions are represented by Austria, Canada, Ecuador, Germany, South Africa, and United States.

THAT SHIT’S TRANS! LIVE! (Friday, November 5, 10:30 pm) is a talk show hosted by trans drag queen Irregular Girl featuring a conversation about issues important to the trans community through media and readings.

SHORTS 2: THE STORY REVOLVES (Saturday, November 6, 12:45 pm) features films in the animation, documentary, experimental, historical, and memory genres by Benjamin Buxton/VIDA BUENA, Laura Conway/THE LENGTH OF DAY, Kelly Gallagher/WE HAD EACH OTHER, Guangli Liu/WHEN THE SEA SENDS FORTH A FOREST, Mairead McClean/ DIALOGUE (NO MORE, 2013/BROADCAST 2016), and Maryam Tafakory/IRANI BAG. Productions are represented by Cuba, France, Iran, Ireland, Islamic Republic of Singapore, Northern Ireland, United Kingdom, and United States.

U.S. premiere! OTHER LIKE ME: THE STORY OF THROBBING GRISTLE AND COUM TRANSMISSIONS (Saturday, November 6, 2:45 pm; United States/United Kingdom) looks at the drive to create and survive in the first documentary ever about COUM Transmissions and Throbbing Gristle, filled with archival footage and photos as well as interviews with founding members and industrial music pioneers Genesis P-Orridge and Cosey Fanni Tutti.

SHORTS 3: LETTERS FROM NOT-SO-FAR-OFF COUNTRIES (Saturday, November 6, 4:45 pm), curated by Dalina A. Perdomo Álvarez, features films in the animation, documentary, essay, and experimental genres by Devin Jie Allen/ BLUE DISTANCE, Edgar Jorge Baralt/VENTANA, Dena Springer/YOU ARE HERE, Michael Holly + Mieke Vanmechelen/ LIKE A MOUSE, Julia Kater + Guilherme Santos Peres/LHES, Suneil Sanzgiri/LETTER FROM YOUR FAR-OFF COUNTRY, Unidad de Montaje Dialéctico/CABO TUNA OR THE MANAGEMENT OF THE SKY, and Li Yongzheng/FEAST. Productions are represented by Brazil, Hong Kong, India, Ireland, Mexico, United States, and Venezuela.

U.S. premiere! Directed by Jonathan Davies, TOPOLOGY OF SIRENS (Saturday, November 6, 6:45 pm; United States) focuses on the art of listening, employing 90s personal computer games. This meditative mystery concerns Cas who goes on an odyssey of exploring ambient sound and minimalist music upon discovering an assortment of micro-cassettes. TOPOLOGY OF SIRENS features Courtney Stephens of SCUMROCK and THE AMERICAN SECTOR, Samantha Robinson of ONCE UPON A TIME IN HOLLYWOOD and THE LOVE WITCH, and Chicago musician Whitney Johnson as herself.

SHORTS 4: DIGITAL CHILD OF THE MENTAL HEALTH HOSPITAL (Saturday, November 6, 9 pm), presented by Cow Lamp Films, features films in the animation, documentary, experimental, and music video genres by Alexei Dmitriev/ TREMENDOUS CLEAN, Steven Lapcevic/HYBRID, Sammy Lamb/DONNIE ROSE, Kent Lambert + Jacob Ciocci/BE CAREFUL KYLE, Andy Ray Lemon/A PRAYER FOR ELVIS, Jesse Malmed/YOU TALKING TO ME, Curtis Miller/NATIONAL BIRD 2, Daniel Moshel/METUBE: AUGUST SINGS “UNA FURTIVA LAGRIMA,” Alison Nguyen/MY FAVORITE SOFTWARE IS BEING HERE, Dan Schneidkraut/THE TRUTH ABOUT HASTINGS, and Joe Tropea + Robert A. Emmons Jr./FUGAZI’S BARBER. Productions are represented by Austria, Hungary, Russian Federation, and United States.

Festival After Party (Saturday, November 6, 10:30 pm-2 am) will open with DJ SJ (known for live sets in and around Chicago, specializing in industrial/EBM, new wave and tech house,) and will be followed by Allen Moore (a Chicago based educator, curator, painter, and experimental sound artist whose work converses with signifiers of Black culture and personal narrative, bringing to view the underlying themes of racial, emotional, and socio-economic conditions). It will close out with Roger Beebe with two 16mm performances: SOUNDFILM, a six-projector performance, exploring the history of sound recording and how sound is represented as image, and LAST LIGHT OF A DYING STAR, a multi-projector meditation on the mysteries of space. The after party will be at Elastic Arts Foundation, 3429 W. Diversey Ave., Suite 208, Chicago.

SHORTS 5: LIGHT TO THE FLAMING SKY (Sunday, November 7, 12:45 pm) features films in the documentary, essay, experimental, historical, horror, narrative, and surreal genres by Colectivo Los Ingrávidos/TONALLI, Sophia Feuer/SPACE LADY, Tommy Heffron/IDUMEA, Tyler Hubby/THE LAKE, SL Pang/PHARMAKOSIS, Kaichi Sato/…LOVEHOTEL…~THE GUIDE TO JAPANESE MIDNIGHT CULTURE, Christian Serritiello/AN APPROXIMATION OF THEIR BARBAROUS MANNERS, and Deborah Stratman/FOR THE TIME BEING. Productions are represented by Germany, Japan, Mexico, Singapore, and United States.

U.S. premiere! Based on the notorious 2007 Groningen HIV criminal case, FEAST (Sunday, November 7, 3 pm; Netherlands) by director Tim Leyendekker looks at how three men drugged sex party attendees in their homes with their HIV-tainted blood. Having screened in competition at the Rotterdam Film Festival in early 2021, this fictional account of a real-life story is peppered with documentary flourishes and is a reflection on life, death, and morality set against the backdrop of the contemporary Netherlands.

SHORTS 6: IN THE WAKE OF WAS READY (Sunday, November 7, 5 pm) features films in the animation, documentary, experimental, music video, and narrative genres by Hillary Bachelder/I USED TO FEEL LIKE I WAS READY, Jennifer Boles + Luther Clement-Lam/BLUE, Cecelia Condit/I’VE BEEN AFRAID, Serge Garcia/CYCLE ONE, Miranda Javid/TWO TRUTHS, Caroline Key/KHÔRA, Haley McCormick/DANCER II, Jennifer Reeder + Nancy Andrews/I LIKE TOMORROW, Neslihan Yeşilyurt/RENTAL MOM, and Chi Jang Yin/I WAS THERE, PART III. Productions are represented by Japan, Mexico, Sweden, Turkey, and United States.

Matthew Wade’s dreamy, atmospheric cosmic horror A BLACK RIFT BEGINS TO YAWN (Sunday, November 7, 7 pm; United States) concerns Lara and Laura, two scientists who dive deep into a collection of cassettes featuring their deceased professor, discovering not only his mental decline but also that their sense self and reality are disintegrating around them.

Chicago premiere! Having screened at True/False Film Festival, the sci-fi, hybrid documentary A MACHINE TO LIVE IN (Sunday, November 7, 9:15 pm; Brazil) by Yoni Goldstein and Meredith Zielke connects cosmic power structures of the state to the mystical architecture of cults and utopian cities in the distant hinterlands of Brazil, providing a complex portrait of life, poetry, and myth set against the backdrop of the space-age city of Brasília.

All screenings of CUFF will be at the Logan Theatre, located at 2646 Milwaukee Ave. in Chicago. Admission is $10 per ticket and $50 for an all-access pass. Admission to That Shit’s Trans is free. To attend the Festival After Party, tickets are $10 in advance and $15 at the door; it will be at Elastic Arts Foundation, 3429 W. Diversey Ave., Suite 208, Chicago. CUFF will also be presented online via Eventive. For more information, visit
About the Chicago Underground Film Festival

The cool cousin of the film festival circuit aka the one who listens to Nick Cave and only wears black, the Chicago Underground Film Festival (CUFF) was hailed by the Chicago Sun-Times as “the city’s most eclectic and best-curated fest.” Founded in 1993 by Jay Blasick, a Columbia College film student who was fed up with the exclusivity of the exist-ing film festival circuit, and friend Bryan Wendorf, the two created a festival for the kind of work they wanted to see, which primarily were films that the established film festival circuit (increasingly dominated by distributor product) re-fused to show. Now approaching its twenty-eighth year, CUFF is officially the longest-running underground film festi-val in the world. CUFF is an internationally recognized program that screens documentary, experimental, avant-garde, and cult cinema, and showcases films that explore new approaches to established practices. While “under-ground” isn’t always easy to define, at its core, it’s a fluid, inclusive, forward-thinking concept that has fueled move-ments and counter-culture revolutions over time. CUFF is no different. At its core, CUFF welcomes visionaries, activists, creatives, and is proud to be the longest-running incubator of the avant-garde, controversial, the cutting edge, and the transformational. CUFF is a hippiepunxx production.

About Full Spectrum Features NFP
FULL SPECTRUM FEATURES (FSF) NFP is a Chicago-based 501(c)(3) nonprofit organization committed to driving equity in the independent film industry by producing, exhibiting, and supporting the work of women, BIPOC, and LGBTQ+ filmmakers. FSF NFP also aims to educate the public about important social and cultural issues, utilizing the power of cinema to foster understanding in our communities. FSF’s goal is to transform the entire media landscape—from the actors on screen, to the crew behind the camera, to the people in the audience. FSF NFP’s mission is embodied not only in its work, but in its staff and board as well. FSP NFP are an ALAANA (African, Latinx, Asian, Arab, Native American) organization founded and led by people of color, women, and LGBTQ+ filmmakers.